AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Don Cerminara has not received any gifts yet
Posted on May 9, 2011 at 1:29pm 3 Comments 2 Likes
I visited the August Wilson culture centre last nite and caught Grady Tate. He scatted his can off. A consumate musician.
Impressions? (personal)...Humphries on tubs was his usual driving, tasty percussionist. The best in town. Paul Thompson really blew. I mean, fine changes, great time and...lots of heart. A quality all too absent today. Blake on Alto was solid. He's dependable...usually brings "something to the table" The lady from N Y C, on piano, did a creditable job. …
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St. Margaret of Scotland Church
310 Mansfield Avenue, Pittsburgh PA 15220
Age 87, of Green Tree, on Friday, March 15, 2019. Beloved husband, of 63 years, of Rose Marie (Staine) Cerminara; loving father of Dari Abbondanza, Donald (Wendy) and Doug (Michelle) Cerminara; cherished Pee Paw of Tara (Josh) Schneider, Marisa (Greg) Costa, Dante (Audrey) Abbondanza, Jillian (Kevin) Fiejdasz and David (fiancé Katie) Cerminara; eight great-grandchildren; dear brother of Robert Cerminara of Cleveland, OH. Friends received 2-8 p.m. Sunday only at BRUSCO-NAPIER FUNERAL SERVICE, LTD., 2201 Bensonia Avenue, Pittsburgh, PA 15216. Mass of Christian Burial on Monday at 10 a.m. in St. Margaret of Scotland Church. Burial to follow in Calvary Cemetery. In lieu of flowers, the family suggests memorials to St. Margaret of Scotland Church, 310 Mansfield Avenue, Pittsburgh, PA 15220. Add a tribute:
This is a mistake, Mark Murphy says. And by his crisp, lively voice, and the fact that he's resumed touring at age 79, and that his mind and spiky sense of humor seem quite intact, that does indeed seem to be the case.
Murphy is living in a small room in the Lillian Booth Actors Home in Englewood, N.J. It is an assisted living facility for entertainers, although not famous ones. Vaudeville performers have spent their final years here, and Jazz Age comedy teams like Smith & Dale. "Doctor, it hurts when I do this," Smith says. "Well, don't do that," Dale replies.
Murphy? He has been a critic's darling for years, a premier jazz singer riding the same vocalese edge as the team of Hendricks, Lambert & Ross. Or today's wildly inventive scat-singing Kurt Elling, who calls Murphy his inspiration. With his first record, 1956's Meet Mark Murphy, he was being positioned to challenge Frank Sinatra and Mel Tormé. He was that good.
But, you know what? A different filament runs through Murphy's head. He hears things differently. Over the years, he swings from lounge to wildly re-worked Nat King Cole standards, to bop, to Brazilian, to readings from Jack Kerouac. He's covered The Beatles' "Eleanor Rigby" and Johnny Cash's "So Doggone Lonesome." Why? "Why not?" Murphy harrumphs. On his most-recent album in 2007, he did Coldplay's "What If?"
Why not? "Most of my records are a little too mind-blowing for people who don't know about jazz, or don't read Kerouac," he says. "It's a little more advanced."
He's a hipster with a remarkable voice, and a cosmic sensibility. "Jazz really teaches you how to improvise your life," he says. "One door closes, you open another one. I'm a big fan of opening doors."
And now, for the past 1½ years he finds himself in this little room in the Actors Home, at the insistence of relatives who insisted he sell his Central New York home on the Lake Ontario shore because they thought he was losing it. And yes, Murphy admits, he was.
"I was misdiagnosed as Alzheimer's," he says. "So I sold my house to my nephew because they thought I was no longer able to run a house anymore. Some idiot doctor in upstate New York gave me the wrong medicine, and I kind of flipped out for a few months there. I even put myself into a hospital for a while." So he wants outta the home. He recently toured Florida, and now has a few gigs in New York, including Friday at the Harro East Ballroom at the Xerox Rochester International Jazz Festival.
read more at http://www.democratandchronicle.com/...estival-Friday
Thanks for sending me this message Don: "Mark Murphy one of my true favorites, is in an actors home...he's "gone" man. Not a damned friend from show bus keeps in touch or sends him anything. The guy didn't even have any music to listen to. Not even a player. I bought him just a basic player...made him a doz discs...and he listens today! Some people forget all too easily!! Later, Donny
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