From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
My mom, Lillian Wilson, was a bass player with the International Sweethearts of Rhythm. She introduced me to jazz by taking me to the Jazz at the Philharmonics at a young age, where I was introduced to such jazz legends as J.J. Johnson, Sonny Stitt, Modern Jazz Quartet, Ella Fitzgerald, Lester Young, Jo Jones and others. After that exposure, jazz became number one as far as music is concerned, and I never looked back.
I've been playing congas and percussion since 1967. I've been fortunate to get my musical education from some of the Pittsburgh jazz masters, including Roger Humphries, Eric Kloss, Spider Rondinelli, Cecil Washington, Rolando Morales, Eric Susoeff, and many others.
I've been fortunate to have played in Pittsburgh and around the country and have played with Salsamba since 1984, which has been my main band. With Salsambe, I've been exposed to many Latin jazz masters such as Tito Puente, Dave Valentin, Andy Norell, Claudio Roditi and others.
Hi George I would like you to do a performance with the Jazz Workshop,Family Night, Nov. 25th 2009.
Please contact me here at my e mail email@example.com and leave me your contact number. Peace & Blessings.
I would love to feature "you" as my guest on my show..If I am not your friend..please add me...also please call me @ the offc at 757 538 3540...757 971 3733 for details...click on the banner below to be a guest...JB