Pain Relief Beyond Belief





From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.


Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?


Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.


For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.


Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.






Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin



       In Her Own Words
Joe Fiedler
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About Me:
Trombonist/composer Joe Fiedler is known to critics as “among the most impressive trombonists to emerge in the past couple of decades” (Harvey Pekar, Signal to Noise) and “an MVP in configurations that range from salsa bands to the jazz avant-garde” (Time Out New York).
Based in New York since 1993, he has performed and recorded in a long and eclectic list of musical settings ranging from pop (Firewater, Wycleff Jean, Jennifer Lopez) to Afro-Caribbean (Celia Cruz, Ralph Irizarry, Eddie Palmieri) to jazz (Andrew Hill, Lee Konitz, Maria Schneider) to the avant-garde (Borah Bergman, Anthony Braxton, Cecil Taylor).

In addition to work as a solo trombonist and leader of the groups the Joe Fiedler Trio and Big Sack, Fiedler is an active member of such ensembles as Fast and Bulbous, Chris Jonas' The Sun Spits Cherries, and the big bands of Satoko Fujii, Ed Palermo and Charles Tolliver among others. His diverse discography features more than 70 recordings, including three as a leader. The latest is his 2007 trio release, The Crab (Clean Feed), featuring bassist John Hebert and drummer Michael Sarin.

“When you listen to the music on The Crab,” writes AllAboutJazz-New York's Editorial Director Andrey Henkin in the liner notes, “you know you're hearing the work of a major innovator. And few players on any instrument write tunes with as much breadth and diversity, using mutes, multiphonics, bravado on burners, avant musings, subversive marches and poignant ballads.”

Critics called the band's first CD, Plays The Music of Albert Mangelsdorff (Clean Feed), ”triumphant” (Jay Collins, One Final Note), “involving” (Nate Chinen, New York Times), ”a memorable and brilliant tribute” (Scott Yanow, All Music Guide) and “a survey that is at once deep and uncompromising and still decidedly accessible throughout, traits emblematic of the dedicatory maestro himself” (Derek Taylor, Bagatellen).

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At 1:19am on February 27, 2009, Jerry Butler said…
I would love to feature "you" as my guest on my show..If I am not your friend..please add me...also please call me @ the offc at 757 538 3540...757 971 3733 for on the banner below to be a guest...JB
At 3:13am on May 20, 2008, Marly Ikeda said…
Hi Joe,
Nice to meet you here, thanks for the add!
All the best.
At 3:01pm on March 31, 2008, THE GLOBAL JAZZ NETWORK said…
At 2:34am on March 28, 2008, Janelle Burdell said…
Heeeeeeeey! Been too long ! I've heard nuthin but good 'bout you ~ Lemme know what's going on with you, k? stay in touch. You never know. ciao, -janelle c:412-657-9335
At 1:16am on March 28, 2008, Dr. Nelson Harrison said…
Wow Joe,

You haven't been letting any grass grow under your feet. Congratulations and keep up the great work. Thank you for sharing your accomplishments. Post some pictures and vids when you get a minute. Check out the sounds on my page also. Welcome.

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