Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
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INTERVIEW
As I Dig It/Tony Adamo Giacomo Gates
As I Dig It/Tony Adamo Giacomo Gates — Miles Tones: Sings The Music Of Miles Davis. He was @#1 on the jazzweekly jazz charts from April 22,2013 to May 13,2013, yet he only received 2 stars out of 5 from the Downbeat reviewer John Ephland. ... This brings up a point I made while being interviewed by Brent Black's @CriticalJazz. "Some of the critics of my music in the past I feel have used generic templates in writing reviews. I came across this way of reviewing while digging music reviews in music publications. I see too many opinion reviews based upon a critics personal music tastes and not complying with the music genre they are reviewing." I dig this is the case in the Giacomo Gates review. It looks like a knock off review. Lets get it done kinda thing. Don’t get me wrong people, there are as many great music critics as are there bad ones. In this case, giving Giacomo Gates and the music Of Miles Davis 2 stars is not in keeping with the star quality of Mr. Gates. I don't have to get up tight about not getting a music review in DB. I'm a unknown jazz artist and don't have the bread to pay for a ad in DB to be considered for a review and I'm only @#20 on the Top 25 jazzCharts @http://www.allaboutjazz.com/php/jazzdownloads_day.php?day=30
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