PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

"You've Got Me" The New Jazz/Reggae/R&B -Fused Bass instrumental album/Cd

"You've Got Me"

Over the years, musical geniuses such as Jaco Pastorious, Stanley Clarke, Marcus Miller, John Pattatucci to name a few have advanced the technique of utilizing the bass, not only as a root instrument, but also to hold together the melody of a song. With this influence, I was challenged to do so within the genre of my own musical accomplishments. Fundamentally, the bass was always the instrument that held together the root of a song. It has been the manipulator of music by simply standing out with its own groove, melody and frequency. Apart from all that, on this album, the use of special effects to enhance the sound and create defined frequencies was a special challenge for me. I welcome the sound and hope you will enjoy it too. “The Bass was always an accompanying rather than lead instrument and the concept was to create melodies and not make them sound repetitious or monotonous. This album has been the threshold since 1993, crossing the parameters of genre. With influences coming from so many styles it’s very hard to place exactly where this project fits but its fused & it’s been a long time in the making and came out capturing my many moods over the years”-Benjy Myaz www.benjymyaz.com
www.linkedin.com/in/benjymyaz
www.myspace.com/benjymyaz
www.myspace.com/mywerksmusic Email: mywerks.music@gmail.com mywerks@yahoo.com Vmail: 876-808-7232 © & Published by My’ Werks Music/ASCAP Executive Producer :Benjamin Myers for My ‘Werks Music/Production

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