AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
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Comment Wall (23 comments)
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I actually got someone already for that day...but since we only live a few minutes apart we need to meet up sometime and chat! I will be having some more gigs I may need you for! I will keep you posted and give you a call when they come up! thanks so much.
Adam
glad you are well. hope to get out some to play over the next few weeks too. holla back ~
We will be playing at the Edgewood Country Club this Friady 7 to 11----open to the public.
Virgil
I look forward to hearing and seeing you soon. I've always heard wonderful things about you.....so happy to be friends!
Donna
Things are going good and looking forward to playing with you again. I really dig your style and sound. Ill be in touch.
J
Thanks for the message! Ithaca is beautiful country, too. I love it there. Many good players in that area. I've worked with Steve Brown, but only a couple of times. He's a great player. I think he's getting ready to retire and his son (who I think plays bass) will be taking his position, so I hear.
I like this Pittsburgh network. It seems like a nice community of musicians. I invite to to join our network, too - we'd love to have you: www.syracusejazznetwork.com
Thanks again,
Karl
I know I haven't made the scene recently but hopefully we can get together soon when you least expect it. I'll try to follow where you'll be playing. You're still with Patti right? Say hi to Kurt for me will ya?
Phil
Great to see you my friend ! We must get together soon ,
Tony
Thanks so much man. Hope all is well with you.