AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
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Frank B. Greenlee's Comments
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I am hoping you can help me. I am trying to find out some more information on your late friend Johnny Gilliam.
Would you be able to help me.
Thanks in advance
alan
Mark Leonard
Frank, Thanks for your nice note and the kind words. Those are also my demo tunes above the video link on my page. I'll be in touch - would love to catch up! - Buster/mj
I dont have the words for what you have meant to the jazz scene in this city! Dave Budway and I where talking about you yesterday! You and Buck! We love you and THANK YOU!
Just curious -- are you related to Nadine Greenlee? We used to work together at Allegheny Home Care. If so, tell her Debi Sciranka says "hello"!
It's good, right, to see a photo of Dingbat, one of Piitsburgh's, America's , outstanding sculptors. Thanks for sharing from your valuable archive.
I really like your pics of the Faces in wood.Faces in metal and the classic photos of the player! Who's the artist? About your mission to forward forgotten artists: Do you remember the Pgh. sculptor living in Shadyside in the 60's and 70's, whose work of wood embossed with hundreds of nails, after a Congolese tradition? Was his name "Bat"? His works were put in the Smithsonian Museum by 1970.He lived an obscure, popular life in the Burgh while celebrated in the fine arts world. He's black, always wore denim overhauls as he was in his studio a lot. I'd like to remember his name so I can write about him as a monumental figure in American /African-American modern art. Hey man, I listened to Easy 86, Wamo a.m Jazz every day in the 70's during its too brief existence. You were a hot d.j. with a smooth voice, an impressionable jazz affectionado.Shit, I heard many great songs for the first time on your show! I broadcasted jazz on WYEP in the 70's, later broadcasting for Wbai f.m., NYC. Occasionally I do guest radio broadcast shows here in Paris. I'm glad you're on the Jazzburgh scene.