PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Scottish rite masonry illustrated vol.1 pdf

Scottish rite masonry illustrated vol.1 pdf

 

 

SCOTTISH RITE MASONRY ILLUSTRATED VOL.1 PDF >> DOWNLOAD LINK

 


SCOTTISH RITE MASONRY ILLUSTRATED VOL.1 PDF >> READ ONLINE

 

 

 

 

 

 

 

 

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Ebook-Massoneria-ENG-Scotch-Rite-Masonry-Illustrated-1.-The-complete-Ritual-of-the-Ancient-and-Accepted-Scottish-Rite-profusely-illustrated-1905.pdf. Scottish Rite Masonry Vol.1 Paperback – Illustrated, June 1, 2001. by John Blanchard (Author). Volume: 1; Author: Jonathan Blanchard; Category: Freemasonry; The Complete Ritual of the Ancient and Accepted Scottish Rite, Profusely Illustrated by a Home; Scotch Rite Masonry Illustrated - The Complete Ritual of the Ancient and Accepted Scottish Rite Profusely Illustrated (1905) The Complete Ritual of the Ancient and Accepted Scottish Rite Profusely Illustrated, Vol. SC Annual in Chicago 8. Download PDF optimized for reading on Kindle. Illustrated Eitual of the Scottish Kite. Rituals sell readily to both lodge members and out- siders, while the most eloquent address on the subject,. Scotch [sic] Rite Masonry Illustrated by Jonathan Blanchard (vol. 1); page images / unproofed OCR text of an 1882 exposure of the "Cerneau" Scottish Rite“Manual of the Ancient and Accepted Scottish Rite, vol. 1, p. 188. We~shalInow give a Historic Sketch of this reigning rite, and see what that “new

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