From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
\The vibrant and joyful music of Luiz Santos, a worldwide artist from New York City USA, will make you feel alive. His brilliant mix of Brazilian percussion, Caribbean, Chamber Music and Jazz as he plays the drums and the piano will fill your heart with hope. Simply put on one of his albums and you'll be sure to feel uplifted and encouraged. What makes the music of this world-class Brazilian drummer, percussionist, pianist and composer so unique and incredibly special? His unparalleled creativity in making music and has been doing so since his childhood.
His love of music stems from the passion for music his Brazilian parents had while growing up. They knew that as a young child of nine years old when they first heard Luiz play the drums, he had talent beyond his years. The more he played, the more he aspired to play many different rhythms.
The self-taught instrumentalist played his first professional gig at the age of 13 while living in Rio de Janeiro. Opportunities arose to play with older musicians which helped him to explore many different styles of music.
Eventually he began performing all over Brazil with well-known recording musicians such as bassist Arthur Maia, Jovino Santos, Hermeto Pascoal and many others. The passion Luiz had for music fueled him to begin composing and arranging full orchestral pieces.
He also toured extensively in Europe as part of "Brazil Fusion". His music became in high demand, enabling him to play for bands and work on music projects in several countries including Germany, France, Norway, Sweden, Holland, Belgium, Greece, Luxemburg and Italy.
Influenced by the music of Chick Corea, John Coltrane, Miles Davis, Strawinsky, Debussy, Bartok, Hermeto Pascoal, Egberto Gismonti, Keith Jarrett, Weather Report, Pat Metheny, Elvin Jones, Peter Erskine, Billy Cobham, Tony Williams, Dave Weckl and Steve Gadd, he creates unique flavors of music by combining typical jazz sounds with classical and Brazilian percussion. He has also written compositions for everything from jazz to contemporary classical, modern music to string quartets.
He has also been on demand in New York City playing with musicians like Richie Goods, Lonnie Plaxico, Benito Gonzalez, Vic Juris, Tim Armacost, Peter Brendler, Russ Nolan, Sean Nowell, Helio Alves, Paul Meyers, Edward Perez, John Benitez, Hector Martignon, Mark Weinstein, Nilson Matta, just to name a few.
Luiz has recorded several CD Projects in Rio De Janeiro, all which feature his own compositions. Other musicians on his CD projects include: Humberto Mirabelli (Guitar), Fernando Roza (Bass), Fernando Trocado (Tenor Sax and Flute), Marcelo Martins (Alto/Soprano Sax and Flute).
Life is filled with many sounds and as an accomplished and talented musician, Luiz Santos captures the sounds of life like no other. If you desire to hear music in a whole new way that brings refreshing to your soul and excitement to your everyday life, you will want to have the albums of Luiz Santos.