PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

A new day is dawning for New Granada Theater




THE GROUNDBREAKING TO THE RESTORATION OF THE HISTORIC NEW GRANADA THEATER, MAY 25, IN THE HILL DISTRICT. (PHOTO BY J.L. MARTELLO)

Sooner than you think, thousands of people in the Hill District and beyond will be enjoying the brand new performance spaces, small businesses and overall vitality of the New Granada Theater and its surroundings along Centre Avenue, called New Granada Square. Walking into the New Granada will be as normal as heading to the grocery store.

https://newpittsburghcourier.com/wp-content/uploads/sites/3/2023/07/IMG_1341-200x300.jpg 200w" sizes="(max-width: 667px) 100vw, 667px" />

MARIMBA MILLIONES

But to put into words the time, effort and finances it has taken to start the restoration process of the New Granada back to its glory days of the early and mid-1950s, might take up this entire newspaper. Like a lot of people in the ‘90s, Marimba Milliones, the longtime president and CEO of the Hill Community Development Corporation (Hill CDC), didn’t have it in her mind originally to restore the historic theater, designed by Black architect Louis Bellinger, which played host to the legends; Duke Ellington, Cab Calloway, Ella Fitzgerald, Lena Horne, and countless others. Milliones was the first web developer for the City of Pittsburgh, when the Internet was in its infancy.https://newpittsburghcourier.com/wp-content/uploads/sites/3/2023/07/IMG_4782-200x300.jpg 200w" sizes="(max-width: 667px) 100vw, 667px" />

MARIMBA MILLIONES AND HUSBAND, RICHARD W. TAYLOR

In the late ‘90s, Milliones decided to have a meeting with the former Hill CDC leader Elbert Hatley. She had an idea to give African Americans in the Hill District and elsewhere a place to come to train on web coding, which is a highly-paid profession.

“I was super green and super young,” Milliones recalled, “and I didn’t know I was being cultivated for volunteer work. So, I walked in pitching to him (Hatley) and I walked out on his list of people he was going to recruit to the (Hill CDC) board.”

As part of their conversations, Milliones said she remembered Hatley wanting to raise money to save the New Granada Theater. “He thought we should save that building,” Milliones said, “and he was the one who planted that seed in my heart to carry that struggle forward.”

Fast forward more than 20 years later, and here we are. In the year 2023, May 25 to be exact, the hard hats and shovels were out in front of the New Granada Theater, symbolizing the official groundbreaking to the restoration of the historic building that means so much to African Americans, means so much to Pittsburgh.

It took more than 7,300 days of fighting ferociously for the funding, the capital for the project. More than 7,300 days of being told “No,” “Yes,” “Maybe,” “Not right now,” “Why are you doing this?” and more. More than 7,300 days of hearing from longtime Hill District African Americans, telling Milliones to keep pushing forward.

About 100 people celebrated the milestone on a sunny Thursday afternoon, hugs and handshakes abound, knowing that the endless fighting for the tens of millions of dollars needed for the project had been secured, and it was time to “get to gettin’.”





A new day is dawning for New Granada Theater


THE GROUNDBREAKING TO THE RESTORATION OF THE HISTORIC NEW GRANADA THEATER, MAY 25, IN THE HILL DISTRICT. (PHOTO BY J.L. MARTELLO)

Sooner than you think, thousands of people in the Hill District and beyond will be enjoying the brand new performance spaces, small businesses and overall vitality of the New Granada Theater and its surroundings along Centre Avenue, called New Granada Square. Walking into the New Granada will be as normal as heading to the grocery store.

https://newpittsburghcourier.com/wp-content/uploads/sites/3/2023/07/IMG_1341-200x300.jpg 200w" sizes="(max-width: 667px) 100vw, 667px" />

MARIMBA MILLIONES

But to put into words the time, effort and finances it has taken to start the restoration process of the New Granada back to its glory days of the early and mid-1950s, might take up this entire newspaper. Like a lot of people in the ‘90s, Marimba Milliones, the longtime president and CEO of the Hill Community Development Corporation (Hill CDC), didn’t have it in her mind originally to restore the historic theater, designed by Black architect Louis Bellinger, which played host to the legends; Duke Ellington, Cab Calloway, Ella Fitzgerald, Lena Horne, and countless others. Milliones was the first web developer for the City of Pittsburgh, when the Internet was in its infancy.https://newpittsburghcourier.com/wp-content/uploads/sites/3/2023/07/IMG_4782-200x300.jpg 200w" sizes="(max-width: 667px) 100vw, 667px" />

MARIMBA MILLIONES AND HUSBAND, RICHARD W. TAYLOR

In the late ‘90s, Milliones decided to have a meeting with the former Hill CDC leader Elbert Hatley. She had an idea to give African Americans in the Hill District and elsewhere a place to come to train on web coding, which is a highly-paid profession.

“I was super green and super young,” Milliones recalled, “and I didn’t know I was being cultivated for volunteer work. So, I walked in pitching to him (Hatley) and I walked out on his list of people he was going to recruit to the (Hill CDC) board.”

As part of their conversations, Milliones said she remembered Hatley wanting to raise money to save the New Granada Theater. “He thought we should save that building,” Milliones said, “and he was the one who planted that seed in my heart to carry that struggle forward.”

Fast forward more than 20 years later, and here we are. In the year 2023, May 25 to be exact, the hard hats and shovels were out in front of the New Granada Theater, symbolizing the official groundbreaking to the restoration of the historic building that means so much to African Americans, means so much to Pittsburgh.

It took more than 7,300 days of fighting ferociously for the funding, the capital for the project. More than 7,300 days of being told “No,” “Yes,” “Maybe,” “Not right now,” “Why are you doing this?” and more. More than 7,300 days of hearing from longtime Hill District African Americans, telling Milliones to keep pushing forward.

About 100 people celebrated the milestone on a sunny Thursday afternoon, hugs and handshakes abound, knowing that the endless fighting for the tens of millions of dollars needed for the project had been secured, and it was time to “get to gettin’.”

https://newpittsburghcourier.com/wp-content/uploads/sites/3/2023/07/IMG_1252-200x300.jpg 200w" sizes="(max-width: 667px) 100vw, 667px" />





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