From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
Donna...thanks for being a fan. You look and sound great. I just found this comment from you. Wish I had seen it weeks ago. In any event, let me know when you will be playing next. Wanna come see you. And if you ever wanna see a hockey game, let me know.
I would love to feature "you" as my guest on my show..If I am not your friend..please add me...also please call me @ the offc at 757 538 3540...757 971 3733 for details...click on the banner below to be a guest...JB
Truly enchanting....love your "work"....crafted with style and elegance...more please..anything I can give/share from my kitbag to add to any other artist's life is always a pleasure....Happiest of New Year's and to all in your life too...make music and prosper....my best always...bc
Thanks for your truly kind vote of confidence. Virgil and I enjoyed you at the winery last month. I was sorry we didn't have time to say hello, but I was expected at my Grandmother's 85th birthday that same day. I enjoyed your music and ,especially the lyrics you wrote to the blues tune...very enjoyable. Hoping our paths will cross again soon!
My warmest regards to you-
Arnie, it is so hard to say what my favorite is....I love so many tunes.
I have a nice book that keep growing by the week. I have never done Here Is That Rainy Day....Lover Man, maybe once or twice, but love it. I'd be happy to show you my book list.
By the way....this picture is neat. When was this and who are the guys with you?
Thanks for the reply Donna... you seem like a very sweet lady... I look forward to hearing you someday... what are your favorite tunes? I really respect Gene Ludwig's playing and the B3 is my favorite instrument. Do you sing Here is that rainy day? Lover Man?