AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Time: July 27, 2018 at 8pm to July 28, 2018 at 12am
Location: Riley's Pour House Pavilion
Street: 215 E.Main Street
City/Town: Carnegie, PA
Phone: (412) 279-0770
Event Type: live, jazz, and, blues
Organized By: BLUES ORPHANS
Latest Activity: Jul 22, 2018
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Blues Orphans present the mellow musical stylings of Bob Gabig's brilliant songs, including some exciting new oevres, domestic soap-operas about robots, medical marijuana, salt sugar and fat. A subbbbbbtle blend of Pittsburgh soul, hillbilly hiphop, beatnik bebop, rockabilly satire.
Our *NEW* CD, "More Fake Blues", is sweeping the nation!
(Which needs it...just look at that dust.)
Here's one: Restless Leg syndrome
That's Bob Gabig, a cool cat, on guitar & vocals, prolific witty songwriter (funny but clean lyrics, folks), master showman. The Chief! Survivor of many vicious baguette attacks. He crafts songs as pithy poems of hilarity. Oh, and he shreds on guitar like a monster.
That's Bob's brother Andy Gabig, blues harp, jaw-dropping. How'd he do that!!??? One of the most distinct and unusual harmonica players ever. He can make it sound like everything from a fiddle to an accordion, and covers a range from jazz to waltz. And he's probably the most humble musician you've ever met.
That's Roger Day, a.k.a. Professor Beautiful, pan-ethnic tuba-sin-fronteras-- all jazz, all latino, all klezmer, all funk, all blues, all ears.
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