AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Time: February 27, 2010 from 8pm to 10pm
Location: The Andy Warhol Museum
Street: 117 Sandusky Street
City/Town: North Side
Website or Map: http://www.music.pitt.edu/blo…
Phone: 412-624-4125
Event Type: concert
Organized By: Music on the Edge (Univ of Pitt)
Latest Activity: Feb 22, 2010
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Anthony Coleman (http://www.allaboutjazz.com/php/article.php?id=17082) is an American musician. Coleman is a piano and keys player, trombonist and vocalist mainly working within the free improvised and avant-garde jazz scenes in downtown New York during the late 1970s through to the present day. Music on the Edge, in partnership with the Andy Warhol Museum, is excited to present him in concert on Saturday (along with Lindsey Goodman from the Pittsburgh New Music Ensemble), February 27th at 8 pm at the Andy Warhol Museum.
Anthony Coleman performs his recent music including selections from his new release Freakish, on the Tzadik label, and Pittsburgh New Music Ensemble flutist Lindsey J. Goodman presents works with live electronics by Mathew Rosenblum, Grant Cooper, Russell Pinkston, and Jacob ter Veldhuis.
Tickets are available in advance ($8.50 for general admission and $5 for seniors and non-Pitt students) through ProArts by calling 412-394-3353 or visiting www.proartstickets.org. Tickets at the door are $15 for general admission and $10 for students and seniors.
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