PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

By Bill Zlatos

Published: Wednesday, July 31, 2013, 11:40 p.m.

The August Wilson Center lost nearly $1.8 million in the last fiscal year — more than twice as much money as it made — and stayed afloat by not paying its bills.

“Four years into operating the August Wilson Center for African American Culture, the overall financial health of the organization is troubling,” the center admitted on its application for funding to the Allegheny Regional Asset District. RAD supports parks, libraries, stadiums and cultural groups with half of the proceeds of an additional 1 percent sales tax in Allegheny County.

The center's request for 2014 is among 104 applications totaling $102.5 million, including $3 million from the Port Authority of Allegheny County. The transit agency last year expanded the scope of organizations that normally receive RAD funding.

The Wilson Center's financial picture is one of its bleakest yet. It generated about $1.4 million in fiscal 2013 against $3.2 million in expenses, according to RAD documents. The red ink comes at a crucial time because local foundations have declined to give the Downtown center any more money until it provides an audit for fiscal 2012.

“Just as an example, The Heinz Endowments is holding back $300,000 of funds until they've received both the completed audit and a new strategic plan,” the center wrote in its RAD application.

Many funders have rules that preclude them from awarding grants to a nonprofit group that does not provide a current audit.

Oliver Byrd, interim executive director of the Wilson Center, could not be reached for comment. The center's application said an audit is in its second draft review.

Robert Vagt, president of The Heinz Endowments, reiterated Heinz's support of the Wilson Center.

“We believe that our grants, which so far total $8.5 million, articulately express our ongoing support for the center, not only the physical structure and programming, but also as a symbol of the critical importance of African American culture to this region,” he wrote in an email.

David Donahoe, executive director of RAD, called an audit “key” to the center's continued operation. He said RAD's final deadline for receiving the audit is Nov. 26, when its board adopts its budget for 2014. The center is tentatively scheduled to present its case for a grant on Aug. 29.

The Wilson Center is requesting $425,000 for next year from RAD, an increase of nearly 42 percent from what it received this year. Donahoe said an award of that size would be an “exception.”

RAD documents also revealed:

• The center avoided closing by delaying $800,000 in payments to vendors as of June.

• The center owes $480,000 a year in interest on its $7.1 million in debt.

• Individual contributions in fiscal 2012 declined 64 percent over fiscal 2011; board contributions declined 62 percent; corporate contributions, 38 percent; and county government, 47 percent.

• The number of donors to the center dropped from 795 in fiscal 2010 to 179 in fiscal 2012.

The center this year eliminated three positions and furloughed eight employees. One of those furloughed was Mark Southers, former artistic director of theater initiatives.

“It's real difficult to tell the truth about the matter because it's a major problem to keep a facility this young afloat,” Southers said. “It takes money. It takes really good leadership. The community needs to be involved a little bit more.”

Despite the pressing problems, the center remained upbeat in its application. Center officials said they are working with a consortium of banks on an agreement that will give them financial health.

Bill Zlatos is a staff writer for Trib Total Media. He can be reached at 412-320-7828 or bzlatos@tribweb.com.


Read more: http://triblive.com/news/allegheny/4448759-74/center-rad-wilson#ixz...
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