PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Keiko Okuya Jones, Widow of One of Jazz’s Greatest Drummers, Has Died at 85



Keiko Okuya Jones, Widow of One of Jazz’s Greatest Drummers, Has Died at 85

From 1967 to 2004, she filled multiple roles for Elvin Jones, including business partner, tour manager, and personal gatekeeper


Elvin Jones: Coalition (with Keiko) Keiko Jones (left) with Elvin on the cover of his 1970 album Coalition

The following is an official statement from the family of the late Elvin Jones, received at the JazzTimes office earlier today, December 14.

The family of the late legendary drummer Elvin Jones is sad to report the passing of his widow, Keiko Okuya Jones. An extremely private individual, she passed away on September 26, 2022, in the Manhattan apartment that she had shared with her husband for many years. She was 85. Her death from a stroke was confirmed by her stepson Elvin Nathan Jones and drummer Alvin Queen, a longtime friend of Elvin and Keiko Jones.

Keiko Okuya was born in Nagasaki, Japan on April 8, 1937, daughter to a father in the footwear business. She studied classical piano and was influenced by her father’s love of American jazz. In 1966, he joined with a number of similarly inspired Japanese jazz fans to help organize a drummer-led tour that featured Art Blakey, Tony Williams, and Elvin Jones as headliners. It was on this tour that Elvin and Keiko met and fell in love. She returned with him to New York City in early 1967, and his career—pivoting from his years as a sideman (including five legendary years with John Coltrane) to the role of a bandleader—soon blossomed.

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Many friends and musicians still credit Keiko’s steely resolve and unflinching devotion in helping Elvin revive his career, while bravely facing rebukes and disrespect in a system that still deals unkindly with women, and one speaking English as a second language. In 1971, the two married; they remained steadfastly together until Elvin’s passing in 2004, with Keiko serving as his business partner and personal gatekeeper, band and tour manager, and drum technician. She was also credited as composer or arranger of a few tunes he recorded (including “Mr. Jones,” “The Children’s Merry-Go-Round March,” “Shinjitsu,” “One’s Native Place,” and “Zange”).

In a rare public statement at the 2004 Jazz Journalists Association Awards event, Keiko stood onstage and spoke about her relationship with Elvin: “I feel like my husband is still living with me since May 18 [the date of his passing]. I still make him breakfast every day, and I have been a great friend of his since I met him many years ago in Japan. Carrying on for him is a mighty responsibility.”

Keiko and Elvin had no children of their own. She is survived by two stepchildren—Elvin Nathan Jones of Seattle, and Rose-Marie Jones of Stockholm, Sweden—and by unnamed relatives in Japan, from whom she was estranged.


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