PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Mavis Logan Aug. 11, 1936 - Dec. 9, 2016

For decades on Pittsburgh’s airwaves, Mavis Logan sought to “brighten, lighten and tighten up your day” then do the same by night as a singer in some of the city’s top jazz clubs.

Critics praised her radio voice, and jazz musicians remembered her deep appreciation for a genre long misunderstood. 

“She understood the music as a core product of our culture,” said Nelson Harrison, Pittsburgh historian, teacher and musician. “There’s a hole in the jazz community because Mavis is no longer with us.”

Surrounded by her family, Ms. Logan died at home Dec. 9 of cancer. By the end, she had lost her voice completely, said her daughter Laura Logan. She was 80.

In the 1960s Ms. Logan played records at WYDD-FM, where her daughter said she was the first female jazz deejay in Pittsburgh, then at WAMO two decades later, earning a loyal following along the way. She worked as an anchor at KQV, WKPA and WIXZ radio stations, TV talk show host at WPGH and WPXI, consumer news reporter for KDKA’s “Evening Magazine” and features reporter for the Pittsburgh Tribune-Review.  

Dr. Harrison recalled a time when eight world-renowned percussionists performed at the Manchester Craftsmen’s Guild, and Ms. Logan invited on stage a young James Johnson III, who would grow up to be a drummer. She introduced him to the musicians, all clad in black, and they gathered around the 8-year-old for an African-like ritual, beating their chests to show music comes from the heart. 

“It was the most amazing thing,” Dr. Harrison said. “Mavis was always sensitive to the tradition of jazz.”

[The group was Max Roach and M'Boom]

As a journalist, Ms. Logan said she interviewed “everyone from Ted Kennedy to the Fifth Dimension.” 

“Sometimes when you have an on-air personality, it becomes all about them. She always made people feel comfortable,” her daughter said.

A 1970 Pittsburgh Press article cites Ms. Logan’s signature “rapid-fire delivery” and “bursts of laughter” on the radio, saying she was “colorful to the Nth degree, what with her conversation spilling out at a breakneck pace, loaded with one-liners that don't necessarily sink in the first time you hear them.”

“Mavis Logan is a bundle of nervous energy wrapped up in music and laughs,” wrote Edward L. Blank, the newspaper’s TV and radio writer.

In another article, she told readers that “inside all the exterior flamboyance there’s a serious-minded career woman. If I hadn't been, I wouldn't have been successful.”

Ms. Logan once said a rise in jazz’s popularity in the mid-70s and 1980s prompted her to form her own quartet, Mavis Logan and her JazzMe Combo. The group became a regular in clubs throughout the area, including the Roadster Cafe in East Liberty.

Born and raised in Calgary, Alberta, Ms. Logan “leaped out of my mother's womb and started dancing,” she told the Press in a 1989 profile. She left Canada in her 20s and, drawn to the city’s jazz scene, landed in Pittsburgh after touring the U.S. as a singer, dancer, model and actress. She was reluctant to talk about her childhood up North, though, telling the Press, “I love Pittsburgh with all my heart. I like to think of myself a Pittsburgh native.”

“She was just more of a free spirit than Alberta could really handle at the time,” her daughter said.

Beyond her career as an entertainer and writer, Ms. Logan enjoyed winemaking and watercolor painting. Her last exhibit at the Monroeville library closed in November. 

In addition to her daughter, Ms. Logan is survived by her brother Ian Logan and two grandchildren. A jam session to celebrate Ms. Logan’s life is from 7-10 p.m. Jan. 3 at James Street Gastropub & Speakeasy.

Molly Born: mborn@post-gazette.com or 412-263-1944.

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