PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Paul Mooney, comedian and writer for Richard Pryor, dies at 79


JORDAN MOREAU
May 19, 2021, 11:08 AM
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Paul Mooney, the comedian, actor and writer for Richard Pryor, died on Wednesday morning, his representative Cassandra Williams confirmed to Variety. He was 79.

He died at his home in Oakland, Calif., after suffering a heart attack.

Mooney’s Twitter account also shared the news on Wednesday morning, posting “Thank you all from the bottom of all of our hearts…To all in love with this great man.”

Mooney served as the head writer on “The Richard Pryor Show” and co-wrote some of Pryor’s material on several of his comedy albums and his “Saturday Night Live” sketches. Mooney also wrote for “Sanford and Son,” “Good Times,” “In Living Color,” “Pryor’s Place,” “The Larry Sanders Show,” “Chappelle’s Show” and BET’s reality TV parody show “Real Husbands of Hollywood.”

In addition to his stand-up comedy, Mooney appeared in movies like “The Buddy Holly Story,” where he played Sam Cooke, “Bustin’ Loose,” “Hollywood Shuffle,” Spike Lee’s “Bamboozled” and most recently “Meet the Blacks” in 2016.

On Dave Chappelle’s Comedy Central show, Mooney played the recurring character Negrodamus, a Black version of the philosopher Nostradamus who specialized in answering questions like “Why do white people love Wayne Brady so much?” (Answer: “Because Wayne Brady makes Bryant Gumbel look like Malcolm X”).

Much of Mooney’s stand-up material focused on race. His sets at the 2005 BET Comedy Awards and the 2006 BET tribute to Black History Month skewered celebrities like Michael Jackson, Whitney Houston, Oprah Winfrey, Lil’ Kim, Diana Ross, Flavor Flav, Terrell Owens and more.

In 2007, he published a memoir titled “Black Is the New White,” in which he discussed his relationship with Pryor and some of his most iconic and controversial comedy sets.

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