PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

Badge

Loading…

Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

The New York Times


December 7, 2012

 The Lenox Lounge, where Billie Holiday had a table, Dizzy Gillespie played his trumpet, and James Baldwin soaked up the scene, where the burgundy leather couches, Art Deco light fixtures and zebra-print wallpaper stir up memories of other eras, and where, even now, everybody knows everybody, will close on Dec. 31.       

It will begin the new year with a new owner: Richard Notar, a managing partner of the Nobu restaurant chain, known for its Japanese cuisine and celebrity clientele from downtown Manhattan to Cape Town. Alvin Reed, the longtime owner, said he could no longer afford the lease.       

On Thursday night, as regulars gathered, goodbyes swirled along with the rhythm and blues.       

“It shouldn’t be closing,” said a Bronx resident, Verna Robertson, 67. Ms. Robertson recalled having her first cocktail there, a Tom Collins, decades ago. “It’s a landmark. We have so many memories here.”       

Lenox Lounge opened in Harlem in 1942, and has operated through disco and rhythm-and-blues, and through the neighborhood’s good times and bad.       

“You used to have to call up and have someone put something in the chair to save you a seat, that’s how popular it was,” said Charlie Harris, standing in the back of the bar by the Zebra Room, the dining area, sipping blackberry brandy.       

He has been coming to the lounge some 30 years, drawn, he said, by the soul food and the music. “Jazz, blues, R&B, a cacophony of sound was here,” he said. “This was a home away from home.”       

Lenox Lounge, just south of the intersection of 125th Street and Lenox Avenue, is in a stretch of Harlem that has increasingly become a destination for people from New York and beyond, with restaurants, like Chez Lucienne, Corner Social and the popular Red Rooster, where Bill Clinton and Alicia Keys have dined.       

Property values have been rising with the area’s popularity. Real estate developers have said that retail space in the area now commands rents of $60 to $70 per square foot.       

“They want $20,000 a month,” Mr. Reed said. “I can’t afford that.”       

Mr. Reed bought the lounge, one of the few extant Art Deco clubs in the country, in 1988. He restored its period touches, like the geometric floor tiles, and brought back live jazz. He also added a D.J. and R&B dance nights.       

Despite the boom in its neighborhood, Lenox Lounge had been struggling of late.       

Mr. Reed, who owns the name of the lounge, would not say what he planned to do with it.       

Regulars wondered what the new owner would do with the space.       

“Is he going to turn it into a sushi place?” asked Fred McFarlane, whose band has been playing there on Thursday nights for a few years. On the phone from Miami, Mr. Notar shared his vision. “I don’t want to change anything,” he said. “There might be a hole or patch here and there that I will fix. But I am not going to bring sushi up there. I want to continue what was 70, 80 years ago. I understand this is a gem.” He estimated that it would reopen in a few months.       

Mr. Notar, who grew up in Jamaica, Queens, and lives in Manhattan, said he always had a sweet spot for Harlem.       

Back in the late 1990s, he said, he tried to resurrect Minton’s Playhouse, a jazz haven on West 118th Street, known as the birthplace of bebop, but was unsuccessful. He said he envisioned re-establishing the Lenox Lounge as “an old watering hole,” with good food and music, a place that local musicians could call home and where big-name performers could stop in to play.       

He would even like to keep the name. (He said he hoped that he and Mr. Reed “could work something out.”)       

“I know it’s a very tight-knit community and very proud of what’s happening up there,” Mr. Notar said. “And I have to bring my A game, or I’ll ride the A train.”       

On Thursday, a little after 8 p.m., the stirring rhythms of the Temptations’ “Treat Her Like a Lady” filled the bar, thanks to Mr. McFarlane’s band, which crowded onto a little stage near the front window. A few diners sat quietly in the Zebra Room, with its black-and-white photos of jazz greats and a silent grand piano.       

Drinks flowed and the crowd, all having a good time, swelled: gray-haired men in suits and fedoras; young men in jeans and baseball caps watching the Knicks game on the flat-screen TV; women drinking wine in black dresses and pearls.       

Calvin Davis, 62, a regular, hosted a receiving line from his usual spot along the mahogany bar. Men shook his hand; women planted kisses on his cheek       

Mr. Davis, a retired social worker, said he had been coming to the lounge since he was 18. But, he said, he would not return after Dec. 31.       

“It’s going to lose that charm, to make it feel like a neighborhood bar,” he predicted. “It will never be the same.”

Views: 71

© 2024   Created by Dr. Nelson Harrison.   Powered by

Badges  |  Report an Issue  |  Terms of Service