From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
Swedish/American alto saxophonist who loves all music that has heart and swing.
Amanda has lived and worked in Holland and Atlanta, Georgia, but currectly resides in Stockholm, Sweden, where she is born and raised.
Amanda has released two solo albums, "Volt" (1996) and "Reunion" (2003). Her new solo album, "Delightness", is now available at www.touchemusic.se
Amanda works both in Sweden and internationally. In October last year she toured Scandinavia with South African pianist Hotep Idris Galeta. This coming fall, Amanda Sedgwick Quartet will be touring Sweden with Jeremy Pelt.
Amanda composes music for her two groups and teaches at the Royal University College of Music in Stockholm.
Your kind words mean so much to me. I am not the most techinical, I am not the best sight reader, but my soul somes from the people, the ones on the bottom who thinks no one loves them, and those on the top who have so much money but are lonely.
I love your sound, I would be honorded to play on stage with you.
your friend always,
I pray that you live forever and I should never die,
I wish I could write something that sounds like something else! I only have four compositions all done in the '79 to 1989 and went from a dark to a happier time of my life. In that time I was still studying and training my ears so I am not a composer. But what came out was not like any structure , maybe one of them was like a modal swing. One a backbeat 'work song' blues which I expanded to 8 pieces but the leader of the 8 piece group I was in did not want try it. Wynton Marsalis' father wrote a tune on the album 'Fathers and Sons' called 'A Joy Forever' and its changes are exactly like 'Dolphin Dance' but has a different ending. It is a nice tune and even in the same key.When Bird did 'Ornithology' etc. they completely transformed those swing tunes. Of course we all deal with the same system in music, 'Breezin' and One Drop(Bob Marley) are both I-vi-ii-V7 progressions but sound completely different. What makes your track (and I was listening while writing the comment) was the superb playing. I was really impressed! So keep the music going- kevin
Hey Amanda I rehearsed with a friend and he wrote a tribute to a brother musician who passed away last year and he asked if it reminded me of another song. It reminded me of many songs but he had so much harmony in his lines and is very nice and a fitting tribute to a drummer. He would have liked the movements, and I thought of you. The previous comment was a compliment and not intended to say you did not work but your playing is excellent!- kevin
Nice alto and acoustic jazz! Rollin' on that first track, mellow the 2nd she is good and the group plays like one- together!- kevin-Oh the last one- nice drone on the vamp sounded like McCoy Tyner then like the tune 'Invitation' but went elsewhere, I like it- kevin
Dear Amanda Sedgwick, the feeling is mutual. Judging by the selections on your PJN site, you are a virtuoso in the true sense of the word. Your quartet is impressive, and I am honored to be invited to be your friend.
Hey hey, Churchill Grounds...? Hm....? is that a lil club near the Fox? if so,never played there. did a few broadway shows at the fox. but...kinda remember it now that i think about it. Gosh, my mind...
Yo! Thanks for reaching out! Great having you join in on this amazing current of rich tradition of the music you love and offer so much too! Jazz, bebop, swing. Yea...you sound great Amanda!!!! We should def play sometime--I need to get over there! I'd say -quick too! Hahahahaha! And yes, Nelson is da bomb! Raised me-- We must know some of the same folk. I played the Fox alot in Atlanta (one of my fav theaters!) and have sponsors there too! More soon, -janelle