PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

 

I know a lot of you have probably read this before but I wanted to post it today. Remember...to fulfill the dream you have to live up to and help keep the promises you make.

 

Kevin

 

 

Dr. Martin Luther King, Jr.- Opening speech at the 1964 Berlin Jazz Festival

Humanity and the Importance of Jazz

"God has brought many things out of oppression. He has endowed his
creatures with the capacity to create - and from this capacity has
flowed the sweet songs of sorrow and joy that have allowed man to cope
with his environment and many different situations.

Jazz speaks for life. The Blues tell the story of life's difficulties,
and if you think for a moment, you will realize that they take the
hardest realities of life and put them into music, only to come out with
some new hope or sense of triumph. This is triumphant music.

Modern Jazz has continued in this tradition, singing the songs of a more
complicated urban existence. When life itself offers no order and
meaning, the musician creates an order and meaning from the sounds of
the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American
Negroes was championed by Jazz musicians. Long before the modern
essayists and scholars wrote of "racial identity" as a problem for a
multi-racial world, musicians were returning to their roots to affirm
that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come
from this music. It has strengthened us with its sweet rhythms when
courage began to fail. It has calmed us with its rich harmonies when
spirits were down. And now, Jazz is exported to the world. For in the
particular struggle of the Negro in America there is something akin to
the universal struggle of modern man. Everybody has the Blues. Everybody
longs for meaning. Everybody needs to love and be loved. Everybody needs
to clap hands and be happy. Everybody longs for faith. In music,
especially this broad category called Jazz, there is a stepping stone
towards all of these."

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