AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
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Comment
Now THAT's what I'm talking about!!! Your brief litany of acts you saw there is such an important eye witness story, especially for those who were not able or too young to have experienced such greatness up close and personal. You may also remember J. J. Johnson, Monte Alexander, Ahmad Jamal, Sonny Stitt, James Moody to name a few more. I played there with Harold and used to be his regular sub on Thursdays. I also played there with my own groups, Andy Bey and Nathan Davis. Art Swiden ruled the venue and later Bobby Davis took over. Owner Will Shiner would often stop by and Lenny Litman would review the groups for the Post-Gazette.
I saw Chet Baker, Philly Joe Jones, Richard "Groove" Holmes and Ahmad Jamal at Encore II on Liberty. Keep those memories coming. YOU WERE THERE!!!
Thank you, Dr. Nelson, you are to be commended for this place where we can share our memories. I had a wonderful experience of learning about jazz at the Encore, which was one of THE places to see live jazz being played nightly in Pgh in the mid 1970's. From 1976-79 I saw the great Harold Betters who was the house band at the Encore and his brother Jerry Betters would also come and play and sing. Then the list is long..George Benson came in to celebrate his "Breezin'" LP going up the charts and got up and played there and I remember Art (the manager) calling him, "Little Georgie Benson" because he used to come there as a boy genius to play there with his father! I also worked downtown at the Encore II, my Aunt Betty used to book some of the Jazz acts out of New York to the Encore downtown (how I got the job!) and she also booked comics, so Rodney Dangerfield was one of hers then. I remember Dizzy Gillespie's cheeks blowing up like two balloons when he blew into his trumpet! Never saw anything like it before and I just stood there in front of the stage mesmerized with my drinks tray in my hand! I was waitressing at the time and man, I could not move just watching and listening to Dizzy play! Then there was Cleo Lane, Blossom Dearie (my Aunt booked her too) and Chuck Mangione, Herb Alpert too played the Encore. Duke Ellington, Bobby Blues Bland, Buddy Rich, Sarah Vaughn, just to name a few. The real question is who DIDN'T play there! I was lucky because I heard great jazz live every single night I worked there and what an education! Keep Jazz alive in Pittsburgh, it truly belongs there and has such a rich history of it. To this day, Jazz FM is on my dab radio in my London home every single day...that is because of my early education in Jazz and me and my cat both love it!
Shawn,
The Encore I was a fabulous place. Please share some of your memories here , on your page or anyplace else on this network.
Great idea to keep JAZZ alive and well and growing stronger especially in Pgh which has so many connections to it as a musical form, its history is littered with jazz greats, from artists to legendary venues and smoky clubs! I know, I worked at one, called The Encore, in Shadyside and Downtown in the 1970's...great place, even better Jazz!
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