PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

Badge

Loading…

Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Mulgrew Miller: No Apologies: Down Beat -Part 1

Sunshine On A Cloudy Day: Terron Brooks on playing Eddie Kendricks in ‘The Temptations’


 

Zenger News discusses the popularity of “The Temptations” film, his new podcast, “Honest Answers,” as well as his new single, “Tomorrow” — a twist on the song from the musical “Annie.”

Percy Crawford interviewed Terron Brooks for Zenger News.


Zenger: Congratulations on the “Honest Answers” podcast. To have Leon — who played Temptations lead singer David Ruffin in the 1998 miniseries — as your first guest, it doesn’t get much better than that.


Percy Crawford interviewed Terron Brooks for Zenger News. (Heidi Malone/Zenger)

Brooks: I was very blessed that he said, yes. Then to have him as my first guest seemed appropriate. If you wanna start with a bang, you start with, Leon, right?

Zenger: Absolutely! I was shocked to hear you guys didn’t stay in touch. I know it was several years ago, but you created magic together during “The Temptations” miniseries.

Brooks: For me to be able to reach out years later and ask him to do it and for him to be so gracious and so quick with his response is just a testimony of what we had. But yeah, it’s true. We haven’t really talked all the time. We don’t live in the same place and time moves on. But those impressions are my point. They stay. Some do and some don’t and fortunately him and In the film, Eddie [Kendricks] and David [Ruffin] had a certain relationship as well, that Leon and I tried to really truly have in person.

Zenger: Listening to you guys converse, it sounds like he really looked out for you on the set, being that that was actually your first movie role, which you nailed, by the way.

Brooks: I knew he was doing that, and he knew he was doing that, but was that spoken? No. So for him to say that to me years later and to understand his intention, and I think that would be his intention on any co-star he has, but for him to be intuitive and see it. I don’t think I was struggling, but I needed the confidence. Some actors are not gracious enough to give you that. You’re just by yourself hoping you’re doing your best. He understood that if this was going to be great, he would have to be encouraging, inspiring and lead by example.

I wanted to be good because he was so good. For him to be able to communicate that, and I was impressed by it. I was actually really blessed by it. It could have gone another way. He wasn’t the only one that did that in that experience. And hopefully my experience with theater and performing rubbed off on the other guys as well because that wasn’t a foreign world to me at all. Performing wasn’t foreign, it was the acting on TV. I didn’t know what that was.


One of Terron Brooks’ latest endeavors is his “Honest Answers” podcast. (Courtesy of “Honest Answers”)

Zenger: It appears that you have an amazing list of guests that will be coming on the podcast. What made now the perfect time to roll out “Honest Answers?”

Brooks: I think it was always the time. I think I was running away from the presentation. I think now with technology, you have to be on your A-game if you want to present anything (laughing). If I were to be honest, I think that’s what kind of stalled me a little bit. How I’m going to be able to manage this, how am I gonna present this? And it wasn’t until recently I thought about the guest.

I think the pandemic gave us time to figure out those things that we wanted to do, and ask ourselves what were the reasons and excuses why we’re not doing them? Having it come out now as we are coming out of this thing, I’m asking my guest to step back just a bit and asking what they learned from that. I think that’s so inspirational for people.

We put people on the pedestal all the time, but you find out just how much we’re the same, just how much we’re alike, except maybe in our career choices, or our paths and how things are elevated for us. But from a human level, just like Leon. I think he gave some, not necessarily surprising answers, but maybe some revealing answers that fans or people that think they know him wanted to hear. He was very open.

Zenger: I must’ve watched that “Temptations” movie 50 times. For a film that was created 23 years ago, are you shocked at its relevancy today and did you feel it would have this impact when it was created?

Brooks: I really did not. I knew the magnitude of The Temptations. I knew what I was doing was historical and meaningful and valuable. But at that young age, I didn’t perceive that many years later I would still be recognized every day of my life. No matter where I’m at, it doesn’t even matter what nationality you are. I wasn’t able to perceive that. Just hoping Eddie’s family or people that knew him would receive what I did. To answer your question, being blinded by those expectations, I think helped me do a good job.

Not only do people watch it over and over, but some people are also just discovering it. A lot of people are very young people that, whether they know about The Temptations or reintroduced, it has really reignited their passion for real music.


A promotional portrait of American R&B group, The Temptations, circa 1965. Eddie Kendricks (1939 – 1992) is seen on the far left. (Hulton Archive/Getty Images)

Zenger: Did you do anything outside of some research to get into character to portray the legendary Kendricks?

Brooks: You have to do the research to understand the character. I think I got underneath the skin of Eddie Kendricks as opposed to more of the imitation of what he does, per se. As a performer you can go to videos to get as close as possible, but I was just trying to figure out, who was Eddie Kendricks? What was his character, what was his integrity, his belief system? A lot of those things were lined up with me. You really gotta give Jackie Brown casting and the whole production team their flowers for that. They found the right people to be the vessel for these incredible men.

I think when you put those things together, my intention was to honor Eddie’s character. He was an advocate for the right thing. He was loyal and always trying to find the truth of what the situation was, and he had a certain shyness about him to that I could really identify with, as well. Not really imitation, but just trying to embody this man the best way that I could.

Zenger: I still can’t believe that was your first acting job. You really did Eddie Kendricks an amazing service.

Brooks: I appreciate that, man. I think there are certain things in your life that you are just meant to do. I have had a great and blessed career and a couple of things that I thought, OK, this is another thing, but “The Temptations” still stands out. It’s something that seems beyond me and something that was just for me no matter what it was. I don’t know if you know the story, but initially I went in for the character of Paul [Williams]. As the story goes, they changed that very quickly and said, “No, you’re Eddie Kendricks.” Some things you work really hard for and I’m not saying that I did not, but this thing seemed to just be in the cards.

Zenger: Your single “Tomorrow” embodies better days to come. You spoke earlier about us coming out of this pandemic. Was this an intentional release?

 

Brooks: I don’t know if we purposely put it together that way. It was the last song we recorded for the new record, and the record company decided that out of all the songs, that would be the first song. But anything that I do is all inspirational and all about hope. That’s just my thing. If it’s not about that, I won’t be doing it. So that’s an easy thing to say. But I do feel in this specific time, people do need hope. When we don’t have answers, nothing is secure, when you get one answer then it changes, you want something to cling to.

So, this song, “Tomorrow,” is from the musical “Annie.” No matter what comes the sun is going to come out tomorrow and you can bank on that, man. What your perspective is, the song is just reminding people, take a deep breath, it is going to get better. I think people need to hear those kinds of messages, and I’m happy to be able to provide it at this time.

In my new album coming out in September, “The Soul of Broadway,” we rebelliously twisted these Broadway songs that most people know. They’re iconic songs, and man I gotta be honest. Some of them I didn’t really even love. But take the lyrics and I can twist it around in my own style and present it outside the context of a show or character and then suddenly you don’t think about the little girl with red hair. You think about the song and the message. We weren’t really calculated on the songs that we picked, but it seems like the songs you are going to hear in September all go together with that same inspiration. We had fun with it. I’m an artist; if I’m going to sing something, I’m going to sing it my way.

Zenger: Thank you so much for your time. It has been a pleasure. Any closing thoughts?

Brooks: Thank you. Tell people to subscribe to the “Honest Answers” podcast so they don’t miss any. It’s 11 episodes. I also have a YouTube channel you can subscribe to. And there is more music to come. We have a follow-up single coming out before the record comes out. And Percy, I appreciate you, man. This was a great talk.

(Edited by Matthew B. Hall and Judith Isacoff)

 

The post Sunshine On A Cloudy Day: Terron Brooks On Playing Eddie Kendricks ... appeared first on Zenger News.

Views: 10

Comment

You need to be a member of Pittsburgh Jazz Network to add comments!

Join Pittsburgh Jazz Network

Comment by Dr. Nelson Harrison on May 29, 2021 at 7:55pm

This classic movie was filmed in Pittsburgh with many of our local venues and jazz musicians (including yours truly) playing roles in the orchestras.  Check it out.

© 2021   Created by Dr. Nelson Harrison.   Powered by

Badges  |  Report an Issue  |  Terms of Service