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PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Science and the Outer Streams - 2000

Views: 106

Location: Pittsburgh, PA

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Comment by Dr. Martin E. Rosenberg on April 27, 2009 at 2:06pm
Nelson: What I like about this passage is your invocation of an ethics of music performance implied by the responsibility of the musician to create positive effects. One of the most important cognitive scientists that I pay attention to is Francisco Varela (d.1999), who with Humberto Maturana, helped develop the concept of _autopoiesis_, first in neurobiology, and then in information theory and then in cognitive science. It has influenced our understanding of how cognition _happens_ in all living things, it has transformed our understanding of computers and their emergent behavior, and grounded our understanding of the relationship between science and Eastern epistemologies. He was a practicing Buddhist, capable of writing for MIT Press or Shambalah Press. He wrote a very short, but I think a very important book, called _Ethical Know-how: Action, Wisdom and Cognition_ from the Writing Sciences Series at Stanford UP. He defines a wise person as "one who knows what is good and spontaneously does it." This is what Krishna was trying to teach Arjuna when he says "Established in Being, Perform Action." This is also the core concept in Judaism: "Tikkun Olam," which means to repair the world--a concept originating in the Kabbalistic writings of Isaac Luria, and which has had enormous influence: through the philosopher Henri Bergson (d.1941), and through Bergson, the stream of cognitive science I'm most interested in (Merleau-Ponty to Varela in particular), as well as to the emergence or self-organization thread in contemporary complexity (and chaos) theory, particularly the work of Nobel Laureate Ilya Prigogine. I believe that there is something central to the experience of jazz that spontaneously conforms to the imperative to make the world a better place. I think that what you have to say, what philosophers like Bergson and Deleuze have to say, what physicists like Prigogine have to say, what cognitive scientists like Varela have to say, are deeply embedded because they share both a recognition, and a commitment, to effect an _evolutionary_ trajectory for human civilization.
Comment by James R. Meny on September 12, 2008 at 7:13pm
I'm sold. Where can I find more?
Comment by Bryan Skip Reed on September 12, 2008 at 6:35pm
Wonderfull video, and the knowledge is priceless. Thank you very much for sharing.
Comment by PMT Studio on September 12, 2008 at 5:32pm
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Comment by amber ojeda on September 12, 2008 at 7:01am
Nelson,
I really enjoyed the Metaphysics of Music thank you so much for sharing your knowledge.

Love,
Amber

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