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AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

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PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Don Aliquo, 96, to play gig with son and granddaughter


Friday, January 16, 2026

Valley News Dispatch

Family ties: Local jazz stalwart Don Aliquo, 96, to play gig with son and granddaughter


His regular Thursday show at Uncorked in Sharpsburg will be a family 1st
Patrick Varine
By Patrick Varine
3 Min Read • Jan. 13, 2026 3 days Ago

Don Aliquo Sr. has performed music with his son. He’s performed music with his granddaughter. But on Thursday, the longtime Pittsburgh jazz musician and Lower Burrell resident will get a chance to take the stage with both of them.

“It will be great, I can’t wait,” said Aliquo, 96, who plays tenor saxophone. He will be joined by fellow sax player Don Aliquo Jr., along with his granddaughter, vocalist Esai Aliquo.

The Aliquo trio will perform from 6 to 9 p.m. Thursday at Uncorked, 703 Main St. in Sharpsburg.

Aliquo Sr. has been playing woodwind instruments since the early 1940s, beginning with clarinet and settling on saxophone.

A music teacher at Highlands School District for nearly four decades, he also has toured the eastern U.S. with jazz bands. Locally, from the former Civic Arena to the city’s current jazz clubs, there aren’t many venues in Pittsburgh he hasn’t played.

Aliquo Jr., 65, lives in Nashville, where he is a professor of jazz music at Middle Tennessee State University and an active performing and recording artist.

In the Aliquo family, music was pretty much mandatory.

“My two brothers, my sister and I all grew up playing music, my dad made sure of that,” Aliquo Jr. said. “They weren’t as interested in sticking with it, but I really took to it. I’ve heard it said that you don’t really choose music, it chooses you. That’s what happened with me.”

Aliquo Jr. (who also started on clarinet and now plays sax) and his niece will sit in at his father’s standing weekly gig at Uncorked in Sharpsburg.

“We’re choosing some standard jazz repertoire that we enjoy,” Aliquo Jr. said. “I want it to be a lot of fun, and not stressful, so we’re picking material we’ve both played. Esai has been sitting in on my dad’s gigs at times, and with some other groups in the greater Pittsburgh area.”

Aliquo Sr. is looking forward to the performance.

“It’s kind of a debut for my granddaughter,” he said. “We just did a recording within the last month, and it’s being mixed and mastered.”

Aliquo Jr. said he loves playing alongside his father.

“He knows hundreds, if not thousands, of songs,” he said. “I give that a lot of credit for helping keep him sharp and lucid. He knows so much music, it’s really impressive.”

For more information, visit Uncor


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