PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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    MARY LOU WILLIAMS     

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ERNEST McCARTY JR. Obituary

ERNEST McCARTY JR.

December 11, 2025

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ERNEST McCARTY JR. Obituary

McCARTY JR.

ERNEST

Playwright, Musician, Composer, Painter, and Renaissance Man of the Arts

Ernest McCarty Jr., a professional composer, musical director, performer, visual artist and sculptor, passed away on December 11, 2025. He was 84.

McCarty's artistic journey took him from the jazz clubs of Chicago's South Side to the world's grandest stages. A musician of versatility and grace, he was best known as the steadfast bassist for jazz legend Erroll Garner, with whom he toured the globe for seven years.

Born in Chicago, McCarty was raised in a home vibrating with music. His mother, a pianist for the Thomas A. Dorsey choir, often hosted gospel giants like Mahalia Jackson and Sam Cooke for rehearsals in their living room. His formal training began at the legendary DuSable High School under the strict tutelage of Captain Walter Dyett.

Though he initially resisted the "big and physical" upright bass — preferring the piano or violin — he mastered the instrument to avoid a failing grade, a challenge he credited with teaching him to "embrace his obligations."

He studied composition at Roosevelt University and cut his teeth in the Chicago scene, playing in early bands alongside future Earth, Wind & Fire founder Maurice White. In 1962, he became the musical director for Oscar Brown Jr., a role that took him to Europe — where he once socialized with The Beatles — and sparked a lifelong passion for theater.

Ernest McCarty's most celebrated musical chapter began in 1970, when Erroll Garner heard him play a single song at a New York supper club and hired him on the spot. Until Garner's death in 1977, McCarty lived what he called a "blessed" life on the road, traveling in Rolls-Royces and performing on the same circuits as Ella Fitzgerald, Sarah Vaughan, Ike and Tina Turner. He was a mentor to Gloria Gaynor. His steady, melodic bass lines provided the perfect anchor for Garner's exuberant piano improvisation, a partnership immortalized on several classic recordings.

In the early 1990s, McCarty settled in Pittsburgh, the city of his late bandleader, and wove himself deeply into its cultural fabric. He played regularly with Paul Constantino and the Boilermaker Jazz Band. For twenty-five years, he served as the Artistic Director for New Horizon Theater, where he produced dozens of plays and musicals, often writing the scripts and composing the scores himself. His works include Dinah!, Eubie, Recollections, and his latest, A Dinah Washington Christmas, which opened the night of his death at the Pittsburgh Playwrights Cabaret Theater in Schenley Heights. His scripts and musicals were praised for their historical depth and lyrical richness, focusing on the triumphs and complexities of the African American experience.

His creative energy knew no bounds. In his later years, when the physical demands of the upright bass became taxing, he turned his hands to canvas and wire, emerging as a prolific painter and sculptor. His vibrant visual art, much like his music, was filled with rhythm and color, often depicting jazz scenes or abstract interpretations of sound.

Ernest McCarty was a recipient of the A.W. Mellon Jazz Living Legacy Award, recognizing his profound impact on the Mid-Atlantic jazz tradition. Friends and colleagues remember him for his humility and his distinctive laugh — a warm, knowing chuckle that seemed to invite everyone into the joke.

"Ernest didn't just play music; he lived it," said a longtime collaborator. "Whether he was bowing a bass, penning a script, or mixing paints, he was always telling a story about love, struggle, and survival."

Mr. McCarty is survived by his beloved wife and creative partner of over 30 years, Patricia Kearney; his children, grandchildren, great-grandchildren; and a global community of thespians, musicians, and artists who continue to walk through the doors he opened.

Funeral arrangements are private.

In lieu of cards, the family requests donations be made to the Pittsburgh Playwrights Cabaret Theater, New Horizon Theater, WZUM Jazz Radio, or the Pittsburgh Jazz Society. A public memorial service is planned for the spring of 2026.

Arrangements by the WALTER J. ZALEWSKI FUNERAL HOME, Lawrenceville.

To send flowers to the family or plant a tree in memory of ERNEST, please visit our floral store.

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Thank you. I also had not been informed. He was a great mentor and influence on my life. 

-Paul Cosentino

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