Pittsburgh's Own Regional Notables of Jazz
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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There is a dearth of oral history available documenting the greatness of the Pittsburgh Jazz Tradition and Legacy.. Please feel free to add a quote of your own or words of wisdom or humor from a Pittsburgh artist that you may find of interest.
Website: http://pittsburghartistregistry.org/drjazz
Location: Pittsburgh, PA
Members: 79
Latest Activity: Sep 11, 2022
I don't need time. What I need is a deadline. -Duke Ellington, jazz pianist, composer, and conductor (1899-1974)
Discussion Forum
"No One Could Tell You How To Play"
Started by Dr. Nelson Harrison Nov 15, 2018. 0 Replies 1 Like
Ellis Marsalis Interview - 2002: Part Six
Started by Dr. Nelson Harrison Jan 15, 2017. 0 Replies 0 Likes
Ellis Marsalis Interview - 2002: Part Five
Started by Dr. Nelson Harrison Jan 15, 2017. 0 Replies 0 Likes
Comment Wall
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Comment by Dr. Nelson Harrison on January 24, 2017 at 6:02pm
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A genius is the one most like himself. ---Thelonius Monk
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The field is the sole governing agency of the particle. ---Albert Einstein
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"Take away the audience and you take away the concrete reality of music as an art.
You turn music into an arcane exercise in the acoustical laboratory,
in which groups of patient instrumentalists pump out sounds according to formulae which mean nothing,
since meaning lies in the ears that have fled from the scene."---Sir Roger Scruton
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Seeing is not the path to hearing (knowledge of the meaning of sound). Those who have ears to hear, let them hear. ---Nelson Harrison
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Betty Carter - "If it wasn't for hustlers, gangsters & gamblers there'd be no Jazz. Wasn't middle-class who said Let's go hear Bird tonight."
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Cab Calloway - "Jazz was not only built in the minds of the great ones, but on the backs of the ordinary ones."
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Carla Bley - "Listening is more important than anything because that's what music is. Somebody is playing something & you're receiving it."
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Carla Bley - "When you are studying Jazz best thing to do is listen to records & live music as much you can & absorb everything."
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Carla Bley - "I like chords that are very lush with all the lush parts taken out."
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There’s a difference between the right notes and the best notes. The best notes also have something to do with “when.” ---Charles McPherson
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