AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
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You may not want to share everything with your social network, but Young Entrepreneurship Council member Jullien Gordon says your friends should know some details about what you do.
It's priceless to you, but how do you know what your startup's really worth? by Jullien Gordon, Young Entrepreneur Council October 23, 2012 | 11:17am EDT
When it comes to business and career advancement, we often discount one of our greatest resources: our friends. Our friends and peers may know our…
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Post-Gazette.com
A Lincoln-Lemington man who was shot in the chest early Saturday morning died yesterday afternoon.
The Allegheny County medical examiner's office said Leroy K. Wofford, 59, died at UPMC Presbyterian at 12:30 p.m. Sunday.
Police said a couple of men…
ContinueAdded by Dr. Nelson Harrison on September 11, 2012 at 1:30am — 6 Comments
The suggestion was peaches.
As always, The LuPones, a group based at Steel City Improv Theater that invents songs and scenes on the fly, had opened by asking the audience for "a word or…
ContinueAdded by Dr. Nelson Harrison on August 6, 2012 at 5:58am — 1 Comment
Erroll Garner, the famous pianist from Homewood, couldn't read music. Luckily for him -- and jazz fans -- Ernest McCarty can.
Mr. McCarty, 71, of Lawrenceville was playing stand-up bass in a New York City supper club when he saw Garner in the audience -- for the third night in a row.
"He called me over to the table and said, 'Can…
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Lena Horne was an American treasure, a cultural icon whose career achievements and social…
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The African Origins of Jazz
March 28, 2012
Lee Evans
By Lee Evans
In his brilliant 1968 analytical book on jazz, Early Jazz: Its Roots and Musical Development (Oxford University Press) author Gunther Schuller makes a very strong case for jazz’s African origins, writing that “the analytic study in this chapter [Chapter 1, pages 3-62] shows that every musical element – rhythm, harmony, melody, timbre, and the basic forms of jazz – is essentially African in background and…
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