AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
In the span of a life marked by tragedy, Leroy K. Wofford turned to blues to soothe his aching heart and hoped his voice would help others, too.
"The way he felt is that music heals the soul," said his niece, Zaneen Brown. "The more people he could reach, the more people he could help."
Mr. Wofford, who sang his way to prominence on the Pittsburgh jazz and blues circuit, met his own tragic end Sunday afternoon when he died a day and a half after being shot at his home in Lincoln-Lemington.
Pittsburgh police said Mr. Wofford called 911 about 1:30 a.m. Saturday saying that he'd been shot.
He told police that two black men had knocked on his door and when he answered, one had been brandishing a gun. When he attempted to close the door, one fired a shot through the door, said Commander Thomas Stangrecki. The bullet pierced his left shoulder and entered his chest, the Allegheny County medical examiner said.
Mr. Wofford was taken to UPMC Presbyterian, where he underwent surgery. He died at 12:30 p.m. Sunday. Police did not have an opportunity to re-interview him, Commander Stangrecki said, leaving them with limited information. They had no suspects and could not surmise the motive Monday.
According to his family, Mr. Wofford started imitating James Brown before he turned 10 to entertain family members. With the help of relatives, he taught himself the drums, too.
He graduated from Westinghouse High School and began working regular gigs at the Crawford Grill.
His singing career took him to venues all over the city. He performed often at the James Street Restaurant on the North Side, now called the James Street Gastropub and Speakeasy. More recently, he was a regular at weekly gatherings of the Pittsburgh Jazz Society.
He released two albums with original music, one dedicated entirely to the Steelers, said Ms. Brown.
In 1996, Craig Guest, the 19-year-old son of his longtime girlfriend, was shot to death along with another man by a Pittsburgh police officer as they rode in a stolen car. The incident became a flashpoint of tension between the police force and the community, and Mr. Wofford was vocal in his criticism of the department and of the officer, who was cleared of any wrongdoing.
Ms. Brown said Mr. Guest's death devastated Mr. Wofford, as he had raised the man as his own son.
Ernest McCarty, a bass player in the Pittsburgh-based Boilermakers Jazz Band, said he believed Mr. Wofford channeled pain into his singing.
"He was a very forceful blues singer. He wasn't a crooner kind of blues singer," he said. "He was in your face. He was hard, hard-edged."
Pittsburgh Jazz Channel host Tony Mowod said the whole of the city's jazz and blues community mourned Mr. Wofford's death. He recalled him as a tip-top dresser and a charismatic performer.
"He sang songs that were meaningful," Mr. Mowod said. "He had his own style, and any time he performed it was a jam-packed house."
Ms. Brown implored the community to help solve her uncle's murder. Anyone with information was asked to call the city police homicide unit at 412-323-7161.
Mr. Wofford is survived by siblings Diane, Arthur and Sandra Williams; stepbrother William Dock Sr.; daughter Charmaine Kelley; and son Alan Wofford, all of Pittsburgh.
Funeral arrangements were incomplete Monday.
The family was requesting donations to the Spriggs-Watson Funeral Home to assist with funeral arrangements. Cash donations can be dropped off at the funeral home or checks, made out to the Spriggs-Watson Funeral Home, care of Leroy Wofford, can be mailed to 720 N. Lang Ave., Pittsburgh 15208.
A benefit will also be hosted to raise funds for Mr. Wofford's funeral at James Street Gastropub and Speakeasy on Wednesday at 6 p.m.
Read more: http://www.post-gazette.com/stories/local/obituaries/obituary-leroy...
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RIP Leroy. Another senseless killing of a child of God. It was always fun gigging with you!
Benefit for slain blues great Wofford |
Final homegoing arrangements for Leroy K. Wofford by Spriggs & Watson Funeral Home
Viewing: Thursday, September 20, 2012 from 5:00 - 8:00 pm
Funeral Services, Friday, September 21, 2012 at 11:00 am from Spriggs & Watson
720 N. Lang Avenue, Pittsburgh, PA 15208
412-243-8080
htp://www.spriggswatson.com
LeRoy was so blatantly honest in his expression of the "Blues" that you could not help but be pulled into it. It was a privilege to record him and add some of his work to the Pittsburgh Jazz Artist Museum's archives. Some of which are available at our youtube.com/drfbm site. But, of course now, I wish that I could of caught more of him live but the positivity and showmanship of LeRoy will always be part of the Pittsburgh essence; until we can continue singing new songs with him in Heaven, sincerely Dr Bruce and PittsburghJAM.org
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