AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
The Crawford Grill was a renowned jazz club, founded in the 1930′s by Gus Greenlee, an African American businessman and Negro League baseball team owner.
The original Crawford Grill was located on Centre Avenue and closed in 1952 after a fire. Crawford Grill #2, a companion to the original, opened its doors in 1943.
According to Harlem Renaissance poet Claude McKay, The Crawford Grill was one of dozens of nightclubs that helped make the Hill District the “crossroads of the world” in the 1930s, ’40s and ’50′s.
During the “Golden Era of Jazz”, music lovers flocked to the Crawford Grill to hear Billy Eckstine, Sarah Vaughn, Erroll Garner, Dizzy Gillespie, and other jazz legends perform. White musicians who played downtown venues would often go uptown to “The Grill” after their gigs to jam into the night with black musicians.
Crawford Grill #2 was nearly a full city block in length. In the main room on the second floor, the audience surrounded a revolving stage and bought their drinks at a glass-topped bar. The third floor, however, was where the real action took place, for this was home to ‘Club Crawford’, a spot for “insiders only.”
Crawford Grill #2 is located at 2141 Wylie Ave in Pittsburgh’s Hill District. It received a historical marker from the Pennsylvania Historical and Museum Commission on April 07, 2001.
Marker Text
CRAWFORD GRILL
A center of Black social life where musicians such as Art Blakey, Mary Lou Williams, John Coltrane drew a racially mixed, international clientele. Here, Crawford Grill # 2, the second of three clubs opened 1943; was owned by William (Gus) Greenlee, later by Joseph Robinson.
In February 2010, a group, consisting of four private investors and... The group plans to restore and preserve the building’s interior space and to expand into a vacant lot next door, which the group also purchased for a new restaurant and nightclub space. There are also plans for an educational component that would convert the current building’s upper floors into studio, workshop, educational and meeting space.
Tags:
No hole-in-the-wall, this blues-jazz club uses its somewhat off-the-beaten-path location to preserve its charm. – The Scene
The Crawford is arranged in shotgun fashion, with everything on either side of the one aisle. Just past the bar is the stage, with about as much floor space as a walk-in closet. If the drummer gets vigorous, he could fall backwards behind the bar. There is no room for dancing unless you want to dance in the aisle, or the tables.
The Music
The place is no secret to the many jazz greats who have darkened its door, including John Coltrane, George Benson, Stanley Turrentine. My first time at the Crawford Grill, there was a feisty blues singer who peppered his songs with stories about the women he had known. When I returned recently, there was a modern jazz band with an electric fiddle player who had so much jump that I wondered whether he had a power cord running up his leg.
The Food
If you come to the Crawford Grill hungry, you don't have to settle for chips and pretzels, or anything that tastes like it came from a frozen cardboard box. The fried chicken is juicy without being greasy. The yams are sweet and the collard greens, often overlooked in other places, look and taste like someone has paid attention to them.
Name:
Crawford Grill
Region:
Pittsburgh Region
County:
Allegheny
Marker Location:
2141 Wylie Avenue, Pittsburgh
Dedication Date:
April 7, 2001
Behind the Marker
Beyond the Marker
David Hadju, Lush Life: A Biography of Billy Strayhorn (New York: Farrar, Strauss, Giroux), 1996.
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