Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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There is a dearth of oral history available documenting the greatness of the Pittsburgh Jazz Tradition and Legacy.. Please feel free to add a quote of your own or words of wisdom or humor from a Pittsburgh artist that you may find of interest.
Website: http://pittsburghartistregistry.org/drjazz
Location: Pittsburgh, PA
Members: 79
Latest Activity: May 26
I don't need time. What I need is a deadline. -Duke Ellington, jazz pianist, composer, and conductor (1899-1974)
Discussion Forum
"No One Could Tell You How To Play"
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Ellis Marsalis Interview - 2002: Part Six
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Ellis Marsalis Interview - 2002: Part Five
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Comment by Dr. Nelson Harrison on July 30, 2011 at 1:43am
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Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.
---Art Blakey
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It's something that - jazz is one of the few things that you can go and listen to, I don't care where you're from, what you are, what background you come from - there's something there for you.
---Billy Higgins
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Well, jazz is to me, a complete lifestyle. It's bigger than a word. It's a much bigger force than just something that you can say. It's something that you have to feel. It's something that you have to live.
Ray Brown
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Jazz is the only music in which the same note can be played night after night but differently each time.
---Ornette Coleman
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Swing is a synchronicity (present moment) of all the variables and dimensions (levels) of human experience including spirit, perception, emotion, energy, identity, meaning (hermaneutics), and communication (semiotics) into a relevant inclusivity of action or activity. ---Nelson Harrison
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Jazz is a self-organizing algorithm of musical sound. ---Nelson Harrison
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Musicians should never forget that we're blessed. We have a special gift that people can enjoy through us. We've had the good fortune to receive this and pass it along to others.
—Ed ThigpenMusicians should never forget that we're blessed. We have a special gift that people can enjoy through us. We've had the good fortune to receive this and pass it along to others.
—Ed Thigpen
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Jazz Quote of the day-"It's more than beauty that I feel in music -that I think that musicians feel in music. What we know we feel we'd like to convey to the listener. We hope that this can be shared by all. I think, basically, that's about what it is we're trying to do. If you ask me that question, I might say this today and tomorrow something entirely different, because there are many things to do in music.
But over-all, I think the main thing a musician would like to do is to give a picture to the listener of the many wonderful things he knows and senses in the universe. That's what music is to me -it's just another way of saying this is a big, beautiful universe we live in, that's been given to us, and here's an example of just how magnificent and encompassing it is. That's what I would like to do, I think that's one of the greatest things you can do in life, and we try to do it in some way. The musician's way is through his music."
-John Coltrane
(When asked what he and Eric Dolphy were trying to achieve)
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It's not exclusive, but inclusive, which is the whole spirit of jazz.
---Herbie Hancock
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Comment by Ricco J.L.Martello on October 9, 2010 at 12:13am
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Hey check out the story I wrote on Roy Ayers and Tom Brown
http://www.newpittsburghcourieronline.com/index.php?option=com_cont...
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