PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Featured Blog Posts – April 2017 Archive (4)

The Centennial of Ella Fitazgerald - April 25, 2017

/>On song ... Ella Fitzgerald in the 1950s. ;">Saturday 22 April 2017

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Added by Dr. Nelson Harrison on April 23, 2017 at 3:30am — No Comments

A Servant of Rhythm From Ghana, in Texas

A Servant of Rhythm From Ghana, in Texas

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Added by Dr. Nelson Harrison on April 22, 2017 at 3:30pm — No Comments

Digital Series :Sample (2017) ¨¨ Satan at the gates¨

Satan at the gates ( Difference Tools Dif.II Overlay Inv.Polar)

   Satan at the gates (…

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Added by Marta Graciela Bressi on April 8, 2017 at 1:19am — No Comments

Young Ray Brown

"When the Count Basie orchestra came north from Kansas City in the fall of 1936, they made gigs in Chicago (The Grand Terrace) and New York (Roseland Ballroom), but they also had a few runs in early 1937 in Pittsburgh where they played in the Chatterbox Room in Steel Town's Hotel William Penn. The giant of the bass, Ray Brown, had an older brother who had a job at the Hotel William Penn and he brought his 10 year old kid brother to work. The Count Basie Orchestra did quite a bit of…

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Added by Melissa Jones on April 5, 2017 at 1:26pm — No Comments

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