AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Added by Frank Black on June 13, 2015 at 8:15am — No Comments
http://www.allaboutjazz.com/tony-adamo-and-the-new-york-crew-tony-adamo-urbanzone-records-review-by-nicholas-f-mondello.php?width=1024…
Added by Frank Black on June 13, 2015 at 8:11am — No Comments
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One of my images will be included in the digital display at the SeeMe exclusive pro-member reception at the Louvre this coming July 13th.
Added by Marta Graciela Bressi on May 23, 2015 at 7:23am — No Comments
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The Ultimate Jazz Fans: Jack Towers and Dick Burris
Jack Towers and Dick Burris had been thinking about the logistics of their plan for a year and as the details crystalized, their novel idea neared reality. On November 7th, 1940 the two young men would define…
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POSTED ON DECEMBER 1, 2010 BY THE INDEPENDENT EAR Guitarist-educator, and now author, Pascal (Bokar) Thiam aims to broaden the historical timeline of blues and jazz well beyond the romantic notion of ‘up the Mississippi from New Orleans…’ Though I had the pleasure of spinning Pascal’s in-performance ’07 CD Savannah Jazz Club on radio, I didn’t have the opportunity to meet him until about two months ago at the first in a series of book signing & reading events for African Rhythms: the…
ContinueAdded by Dr. Nelson Harrison on April 5, 2015 at 1:00am — No Comments
April 7th marks the centennial celebration of the incomparable Billie Holiday. Her genius remains the foundation for jazz vocalists and her legacy reigns supreme.
The Swing Song Tradition
By the early 1930's, the Jazz Age was coming to an end. The 2/4, oomp-pah rhythm of the 1920's was giving way to the smoother, more elastic rhythm of the Swing Era. Benny Goodman officially got the ball rolling at the Palomar; but the Jazz Age Orchestra had left a…
ContinueAdded by Melissa Jones on April 3, 2015 at 5:15pm — No Comments
Friends.... please allow me to say, I am honored and blessed and overwhelmingly grateful to all the support you all showed me during my supremely intense kickstarter campaign..... which was SUCCESSFUL! This summer I am going to Europe to sing at the World Body Painting Festival in A…
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Added by Marta Graciela Bressi on March 20, 2015 at 11:57pm — No Comments
Added by Gansta Marcus on March 18, 2015 at 10:20pm — No Comments
Roy Eldridge indicated "Cuban" Bennett (from McDonald PA and Benny Carter's cousin) was an incredible trumpet player. Anyone who catches Roy's ear must have something to say and I wonder if anyone on the Pgh. Jazz Network ever heard him play (as he died in 1965) or has any extensive biographical data?
Added by Melissa Jones on March 14, 2015 at 4:22pm — No Comments
Right now....in a land known as Pittsburgh, Pennsylvania, there sits, at her 12 year old desktop imac, a little phat girl who has dreamed of singing in Europe for the past 25 years. Since the birth of her dream, she has studied and made music with Pittsburgh jazz greats, ballet orchestra cellists, vocal teachers of great renown, medieval German bagpipers, Afro Cuban dance bands, Puerto Rican bomba bands, Egyptian classical and electronic composers, Middle Eastern master percussionists, Afro…
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Pioneers of African American Entertainment in Pittsburgh
Prepared by Dr. Theodora D. Cotton *
We are indebted to Frank E. Bolden who graciously granted an interview on a Sunday evening for this information. Mr. Bolden, who is an authority on African American history in Western Pennsylvania, is a member of the Pennsylvania Historical commission and the History and Landmarks Foundation. Born and educated in Western…
ContinueAdded by Dr. Nelson Harrison on March 1, 2015 at 8:14am — 4 Comments
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